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Elias Parish Alvars' Original Sheet Music The most complete work's selection of this author in commerce. |
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These are first editions or editions published by Parish Alvars himself. |
Harp Solos |
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Theme and Variations, op. 29, Artaria, 1836 |
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Sultan’s Favourite March, op. 30, Artaria, 1836 (AVAILABLE IN NEW EDITIONS >>>) |
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Souvenir of Milan – Grand Fantasia, op. 31, Artaria, 1836 |
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Introduction and Variations on a Theme by Bellini, op. 32, Artaria, 1838 |
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Theme and Variations, op. 33, Artaria, 1837 |
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Fantasia, op. 35, Haslinger, 1838 |
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Introduction and Variations on Bellini’s Norma, op. 36 (with orchestral accompaniment ad libitum), Artaria, 1838 |
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Divertissement on Bellini’s Beatrice di Tenda, op. 38, Mechetti, 1838 |
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Introduction and Variations on Bellini’s I Capuleti e i Montecchi, op. 40, Ricordi, 1838 |
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«Scenes of my Youth, or The Pleasures and the Sorrows of an Artist» – Romances 1st series (No.1-3), op. 42, Artaria, 1839 (AVAILABLE IN NEW EDITIONS >>>) |
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«Scenes of my Youth…» – Romances 2nd series (No. 4-6), op. 48, Boosey, 1843 (AVAILABLE IN NEW EDITIONS >>>) |
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«Scenes of my Youth…» – Romances 3rd series (No. 7-9), op. 56, Mechetti, 1842 (AVAILABLE IN NEW EDITIONS >>>) |
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«Scenes of my Youth…» – Fantasia, op. 75, Schott, 1845 (AVAILABLE IN NEW EDITIONS >>>) |
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Souvenir of Bellini’s La Sonnambula, op. 46, Artaria, 1840 |
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Souvenir of Donizetti’s Gemma di Vergy, op. 49, Artaria, 1843 |
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Chorus of the Greek Corsairs, March, op. 53, Ricordi, 1846 |
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Grand Fantasia and Virtuoso Variations on Italian Themes, op. 57, Mechetti, 1843 (original version of Introduction, Cadenza & Rondo which is an excerpt of this piece) (AVAILABLE IN NEW EDITIONS >>>) |
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Grand Fantasia on Rossini’s Moïse (including La Preghiera), op. 58, Mechetti, 1843 |
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Fantasia on Weber’s Oberon, op. 59, Ricordi, 1842 |
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Grand Fantasia, op. 61, Ricordi, 1842 |
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Travel of a Harpist in the Orient, op. 62, Mechetti, 1843/46 (AVAILABLE IN NEW EDITIONS >>>) |
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The Plaint of a Young Girl – Song without words, op. 64, Kistner, 1843 (AVAILABLE IN NEW EDITIONS >>>) |
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Fantasia on Lord Burghersh’s L’Eroe di Lancastro, op. 66, Hofmeister, 1843 |
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Grand March, op. 67 (orchestra ad libitum, composed by Ludwig Richter), Schott, 1847 |
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The Farewell, Romance, op. 68, Mechetti, 1846 |
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Souvenir of Besnate or The Lament – Song without words, op. 69, Bureau Général de Musique, 1844 |
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Illustrations of German Poetry, Schott, 1844: |
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Fantasia on Donizetti’s Belisario, op. 73, Schott, 1844 |
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Fairies’ Dance, op. 76 Boosey, 1846 |
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Souvenirs of Italian Operas: No. 1 Ernani by Verdi, op. 77, Ricordi, 1845 |
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Grand Fantasia on Donizetti’s Lucrezia Borgia, op. 78, Schott, 1846 |
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Grand Fantasia on Donizetti’s Lucia di Lammermoor, op. 79, Artaria, 1845 |
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Souvenir of Donizetti’s Dom Sébastien, op. 80, Mechetti, 1846 |
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Rêveries, op. 82, Kistner, 1846 |
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Ricordi di Napoli: Serenade, op. 83, Ricordi, 1846 (AVAILABLE IN NEW EDITIONS >>>) |
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Ricordi di Napoli: Il Mandolino, op. 84, Ricordi, 1846 (AVAILABLE IN NEW EDITIONS >>>) |
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Ricordi di Napoli: Il papagallo, op. 85, Ricordi, 1846 (AVAILABLE IN NEW EDITIONS >>>) |
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Souvenirs of Italian Operas: I Lombardi alla prima Crociata by Verdi, op. 86, Ricordi, 1846 |
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Ricordi di Napoli: March of Portici, op. 87, Ricordi, 1846 (AVAILABLE IN NEW EDITIONS >>>) |
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Souvenir of Taglioni, Rondo, op. 88 , Schott, 1846 (original passage in the ballet La fille du Danube by Adam) |
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Souvenir of Pischek, Fantasia, op. 89, Schott, 1847 |
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Souvenirs of Italian Operas: Lucia di Lammermoor by Donizetti, op. 92, Ricordi, 1847 |
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Souvenirs of Italian Operas: Marino Faliero by Donizetti, op. 93, Ricordi, 1847 |
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Souvenirs of Italian Operas: L’Elisir d’amore by Donizetti, op. 94, Ricordi, 1847 |
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Souvenirs of Italian Operas: Il Giuramento by Mercadante, op. 95, Ricordi, 1847 |
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Second Souvenir of Donizetti’s Dom Sébastien, op. 96, Ricordi, 1847 |
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Illustrations of Italian Poetry (No. 1-3), op. 97, Ricordi, 1847 (AVAILABLE IN NEW EDITIONS >>>) |
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Fantasia and Virtuoso Variations on a Theme by Ricci (orchestra or string quartet accompaniment ad libitum), Ricordi, 1839 |
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Introduction and Variations on a Theme by Herz, Ricordi, 1842 |
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Three Original Melodies, Boosey, 1843 |
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Souvenir of Bochsa, Schott, 1843 |
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Barcarola, Schuberth, 1845 (AVAILABLE IN NEW EDITIONS >>>) |
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Hungarian March, Schuberth, 1845 (AVAILABLE IN NEW EDITIONS >>>) |
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Last Thoughts: Melody; Funeral March, posthumous, Artaria, 1850/54 |
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Grand Fantasia on I Capuleti e i Montecchi by Bellini and Semiramide by Rossini, posthumous, published by Melanie Parish Alvars, 1850 |
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Lights and Shadows – Humoresques, posthumous, Boosey, 1850 (two Romances and a Waltz) (AVAILABLE IN NEW EDITIONS >>>) |
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Fantasias on Donizetti’s La Fille du Régiment, posthumous, Campbell & Ransford, 1851 (AVAILABLE IN NEW EDITIONS >>>) |
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Fantasia on Donizetti’s L’Elisir d’amore, posthumous, Campbell & Ransford, 1851 |
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Harp Solos published with the name of Albert Alvars |
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Sehnsucht or Melancholic Romance, op. 27, Artaria, 1835 (ALSO INCLUDED IN SCENES OF MY YOUTH OP. 48 AND (AVAILABLE IN NEW EDITIONS >>>) |
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Theme and Variations, Falter & Sohn, 1834 |
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Piano Solos |
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Impromptu in the Form of a Fugue for piano, op. 70, Mechetti, 1844 |
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Duos/various instruments |
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Grand Fantasia on Favourite Italian Arias for harp and piano or two pianos, op. 39 Ricordi, 1838 (in collaboration with Carl Czerny) |
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Grand Duo on Donizetti’s Linda di Chamounix for harp and piano or two pianos, op. 65, Ricordi, 1843 (in collaboration with Carl Czerny) |
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Souvenir of Donizetti’s Don Pasquale, op. 74 for harp and piano, Schott, 1844 |
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Concertino in D minor for two harps or harp and piano, op. 91, Ricordi, 1846 |
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Fantasia on Dernières Pensées by Bellini for flute and harp, Ricordi, 1838 (in collaboration with Joseph Fahrbach) |
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Heimweh, Romance for voice and piano, Vienna, 1843? |
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Ouverture to Parish Alvars' Opera The Legend of Teignmouth for piano four hands, Artaria, 1843 |
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Il Pescatore, Barcarola for voice and harp or piano, Kistner, 1846 |
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Harp/Piano and Orchestra |
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Concertino in E Minor for harp and orchestra or string quartet, op. 34, Mechetti, 1838 |
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Introduction and Variations on Bellini’s Norma, op. 36 (with orchestral accompaniment ad libitum), Artaria, 1838 |
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Grand Concerto in C Major for harp and orchestra or string quartet, op. 60, Ricordi, 1842 |
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Grand March, op. 67 (orchestra ad libitum, composed by Ludwig Richter), Schott, 1847 |
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Grand Concerto in G Minor for harp and orchestra, op. 81, Kistner, 1847 |
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Concerto in G Minor for piano and orchestra, op. 90, Kistner, 1847(piano part) |
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Concertino in D Minor for two harps or harp and piano and orchestra, op. 91, Ricordi, 1846 |
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Concerto in E flat Major for harp and orchestra, op. 98, Schott, 1847, harp part |
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Fantasia and Virtuoso Variations on a Theme by Ricci, (orchestra or string quartet ad libitum), Ricordi, 1839 |
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Arrangements/various instruments |
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L’Espagnole for harp and violin (Lafont-Czerny), Artaria, 1838 |
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La Partenza, La Promessa, L’Orgia for harp (Rossini-Liszt), Ricordi, 1839 |
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Three Romances for harp (Schubert), Ricordi, 1839 (AVAILABLE IN NEW EDITIONS >>>) |
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Two Nocturnes for harp (Field), Mechetti, 1842 |
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Twelve Favourite Arias for harp (various composers), Ricordi, 1843 (AVAILABLE IN NEW EDITIONS >>>) |
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Wedding March for harp and piano (Mendelssohn), Breitkopf & Härtel, 1848 |
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Ballabile from Les Huguenots for harp (Meyerbeer), Schott, 1843 |
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«D'un sacro zel l'ardore» from Les Huguenots for harp (Meyerbeer), Schott, 1843 |
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«Nobil Signor» from Les Huguenots for harp (Meyerbeer), Schott, 1843 |
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Aufforderung zum Tanze for harp and piano (C.M. von Weber), Boosey, 1850 |
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Gran Marcia militare imperiale for harp or piano (Donizetti), Lewis & C., 1856 |
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